While in Edinburgh
yesterday I popped into the National Gallery on The Mound whose extensive
collection is traditionally arranged chronologically (which suits me) allowing
visitors to move through the centuries (at least up to the nineteenth – other modern
art galleries are also available) from early religious images, through
portraits commissioned by the wealthy (neither do much for me) to landscapes
and scenes of social interaction (more to my taste); highlights here for me
were a Bellotto view of Verona, Constable’s Salisbury Cathedral, Raeburn’s
skating clergyman, and a couple of interesting Scottish works – Alexander Nasmyth’s
picture of Princess Street circa 1825 and, newly acquired, Landseer’s iconic
Monarch of the Glen.
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